If you're still not convinced by that and want more information, head on over to the After Effects CS5.5 site for the full skinny.This is the only book on the market to focus exclusively on the creation of visual effects for After Effects users, and is a one-stop resource for anyone who wants in-depth explanations that demystify the realm of visual effects and how they were created, thanks to veteran author Mark Christiansen's friendly and accessible style.
Trial and purchase options will be available soon, including a US$49 per month subscription that nets you the $999 app for less than $600 a year.
But if you're trying to do any serious video editing, you'll likely be running a machine that's less than two to three years old anyway.Īfter Effects CS5.5, along with the rest of the CS5.5 suite, is available for pre-order right now.
It's also important to note that, like its predecessor, After Effects CS5.5 requires a 64-bit Leopard 10.5.8 or Snow Leopard 10.6+ install running on a multi-core Intel processor to run.
That's bad news if you happen to be working with someone else who's unlikely to upgrade anytime soon, because you're going to have to specially export it every time you want them to be able to work on it, but at least you have the option. Raw digital camera import has been expanded as well, with greater support for RED and CinemaDNG import, plus the addition of XDCAM EX and HD output.įinally, just as with other program upgrades in the CS family (like InDesign), support has been added for backwards compatible saving for pre-CS5.5 versions. It'll now read and display timecode data directly from the source file in several different formats, and it will integrate it with a customizable Timecode Effect, showing both the source timecode and composition frames.Īdobe's also spent some time on optimizing the memory footprint of After Effects itself, with better disk caching and default memory settings for improved performance.
Camera Lens Blur will also let you quickly add some impressive soft-focus and depth-of-field blur effects to the After Effects 3D camera, giving you control over the iris shape, blade curvature and diffraction characteristics.Īfter Effects C5.5 also comes with improved organizational support for source timecodes. On the 3D front, Adobe's improved its stereoscopic 3D workflow by simplifying the setup of the dual-camera rigs needed for capturing and rendering 3D video and adding an updated 3D Glasses effect. Adobe showed off the impressive technology behind the Warp Stabilizer in a recent sneak peek, and as long as you can deal with frame cropping, it'll make almost any dodgy handheld camera work look like it was shot on a dolly. The headline act has to be Adobe's new Warp Stabilizer, which as the name might suggest, will smooth over your shaky or bumpy camera movement or lock a steady shot automatically. Adobe's been pretty focused on the mobile platform with its talk of tablet and smartphone publishing and integration of the iPad into the CS5.5 workflow, but that's not all: Adobe's visual effects package, After Effects, got some love, too.Īfter Effects CS5.5 will bring quite a few new features to the table.